By the time I finished studying, I was already a mother of two daughters. I wanted a profession where I could help people and that’s how law came into the picture. She completed her graduation here and soon decided to pursue law from the Government Law College, “After working for a brief period in a laboratory, I realised that was not something I wanted to do for the rest of my life. At 20, she got married and moved to Mumbai, ironically the hub of Hindi movies.
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While the movie bug never truly disappeared, like most children, she grew up and chose a non-film career. Finding success despite no takersīorn and raised in Amravati, Samruddhi would watch movies, give them a creative spin of her own, and narrate this version to her friends and family. Her only aim was to bring the issue to light. However, Samruddhi embarked upon this journey with no film connections, experience or production backing. Making a film on a social issue that is often stigmatised is not easy, especially for someone who has never held a camera before. For example, brokers often end up taking the lion’s share of the deal, mothers run away with the newborn, and families are duped,” Samruddhi tells The Better India. Surrogacy has been a suppressed topic in our country due to the highly unregulated business and unethical practices surrounding it. The Hindi film may have its additional creative inputs but the message is the same. I made and nurtured this film as my own baby with a great deal of hardship, love, commitment and care. “I am ecstatic to see my child (film) grow. What has followed since is a slew of awards and recognition, alongside a brand new world for Samruddhi. Moved by the issue, she dug further into the subject and learnt about the grim realities of surrogate women in India. The biological mother wanted him now, but the surrogate mother refused. It finds a special place in Samruddhi’s life, as the story has been inspired by a case she worked during her time as a lawyer.Ī real-life couple who abandoned one such contract within six months of the surrogate mother’s pregnancy after finding out that the child may be born with a disability. Mimi movie poster (left) and Samruddhi Porey (right) Now, Maddock Films Pvt Ltd is all set to release its Hindi remake, ‘Mimi’ starring Kriti Sanon, Pankaj Tripathi and Sai Tamhankar on Netflix. The movie received worldwide critical acclaim and was even remade in Telugu (Welcome Obama) by renowned director Singeetam Srinivasa Rao in 2013. The carefully woven narrative of the movie, starring Urmila Kanetkar, is about a foreign couple who sign a deal with a rural woman in Maharashtra to be their child’s surrogate mother. This Marathi film is centred around the subject of surrogacy in India, and went on to win seven state and two national awards. In 2010, she directed her first film, Mala Aai Vhaychay (I want to be a mother). She is a graduate in microbiology and a lawyer by profession, but always loved storytelling as a child. M aking a national award-winning film was never part of Samruddhi Porey’s plan.
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